Running a freelance editorial business

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Business Planning for Editorial Freelancers: A Guide for New Starters by Louise Harnby in association with The Publishing Training Centre (paperback and ebook, self-published, 2013)

Written by CIEP Advanced Professional Member, Louise Harnby, for those with no prior publishing or editorial experience. Chapters focus on why a business plan is necessary, aspects of editorial freelancing, training, client focus, getting experience, financial assessment, promotion, networking, tools for the job and real-world case studies featuring new starters. More information is available on Louise’s website.

 

Marketing Your Editing & Proofreading Business by Louise Harnby in association with The Publishing Training Centre (paperback and ebook, self-published, 2014)

This book is for any editorial freelancer who feels that marketing is their Achilles' heel. It demonstrates that marketing needn't be difficult, overwhelming or boring. The book takes proofreaders and editors through the core principles of developing and implementing an effective marketing strategy that will get them noticed and generate business leads. More information is available on Louise’s website.

 

The Pocket Book of Proofreading: A guide to freelance proofreading & copy-editing by William Critchley (paperback and kindle, First English Books, 2007)

Several new Entry-Level members report finding this book useful in their very early days of researching whether freelance proofreading was for them. It is rather old now and many aspects have become out of date, but it might still prove worth buying for those just starting out. More established members would advise: 'it is rather OLD, in terms of how proofreading is practised in the 2020s' and 'Take with a pinch of salt – no replacement for professional training and the forums/local groups, of course, but fun and accessible!'

 

The Copyeditor's Handbook by Amy Einsohn and Marilyn Schwartz (paperback, University of California Press, 4th edn, 2019)

This book is US oriented, but not to any extent that should put you off if you don't work in US English. It is intended for new editors and for experienced hands 'who want to refresh their skills and broaden their understanding of the craft of copyediting'. This edition: 'incorporates the latest advice from language authorities, usage guides and new editions of major style manuals, including The Chicago Manual of Style. It registers the tectonic shifts in twenty-first-century copyediting: preparing text for digital formats, using new technologies, addressing global audiences, complying with plain language mandates, ensuring accessibility, and serving self-publishing authors and authors writing in English as a second language.'