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Extremely experienced within arts publishing – from high-profile museum exhibition catalogues to guide books, and living artists' monographs to art history titles. Popular culture, arts and crafts, photography, performance and fashion – as well as illustrated non-fiction for children – are also areas in which I have many years of experience.
Key skills include developing texts with inexperienced authors, resolving complex multi-author texts and ensuring a text is reaching the target audience.
Much of my in-house career has entailed project managing illustrated books, liaising closely with editors, designers, picture researchers, proofreaders, indexers, repro houses and printers. I currently provide project management services on a freelance basis alongside editorial work.
Media
1. Books
2. Illustrated books
3. Multi-author books
4. Magazines
5. Newsletters
6. Company literature
Experience
Full-time in-house editorial career: The Good Book Guide (Editorial Assistant), Yale University Press (Production Editor), V&A Publications (Managing Editor), Scala Publishing (Editorial Director)
Part-time / short-term in-house contracts: Lund Humphries (Head of Editorial and Production), Tate Publishing (Managing Editor), British Library Publishing (Project Editor), IWM Publishing (Special Projects Manager), HENI Publishing (Senior Editor), Vendome Press (Managing Editor), English Heritage Publishing (Development Editor)
Most recent in-house roles:
Job title: Development Editor
Company: English Heritage Publishing
Dates: 2024– (in-house freelance contract)
Job title: Managing Editor
Company: Vendome Press
Dates: 2022–2023 (6-month full-time contract)
Job title: Senior Editor
Company: HENI Publishing
Dates: 2020–2022 (in-house freelance contract)
Job title: Guide Books Editor/Special Projects Manager
Company: IWM Publishing
Dates: 2014–2020 (part-time role, 2 days a week)
Job title: Project Editor
Company: British Library Publishing
Dates: 2016–2017 (1 year contract, 3 days a week)
Job title: Managing Editor
Company: Tate Publishing
Dates: 2013–2014 (full-time maternity cover)
Training
Clients
Publishing companies include:
Museums and other cultural institutions include:
Subjects
Architecture (history of)
Art (artists' monographs, catalogue raisonnés, general introductions)
Art history (medieval to contemporary)
Aviation (Editor of Duxford air show programmes for 5 years)
Children's (non-fiction)
Crafts (history of, 'how-to' guides)
Design (graphic, contemporary, history of, interior)
History (general level; particular knowledge of First and Second World Wars)
Humour (irreverent gift books)
Performance (training, academic studies, practitioner guides).
Qualifications
Two-year Diploma in Acting (LSDA)
Postgraduate Diploma in Publishing (West Herts College)
History of Art BA (University of Manchester)
Specialised software
InDesign
Adobe Acrobat Professional
Photoshop
Adobe Bridge
QuarkXPress
Testimonials
JS, artist: I am eternally grateful to Miranda Harrison for stepping in when we began to flounder at the complexity of the undertaking – this book would have been impossible without her impressive editorial skills and keen eye.
AB, author: The editor and project manager, Miranda Harrison, made numerous and relevant suggestions so that my work would be accessible to the largest possible audience. I appreciated her professionalism, her quest for quality, her calm, and her ability to have us all work in unison.
ME, Managing Director: Miranda was a brilliant editor and project manager on the Ceramics volume.
TW, author: Thank you so much for your amazing work and patience!
SC, author: I am indebted to Miranda Harrison, copy-editor, for her skilful and intelligent handling of the project
Disclaimer note
The CIEP Directory of Editorial Services should be considered a point of first contact and prospective clients must satisfy themselves that members are capable of the work on offer. The Institute cannot be held responsible for the quality of work provided by any member listed in the directory. The members themselves are responsible for the maintenance and accuracy of their entries in the Directory and the CIEP has not made any attempt to vet them. The institute cannot be held responsible for any inaccuracies in the Directory. Inclusion in the Directory as a freelance does not necessarily mean that the member is self-employed as defined by HM Revenue and Customs and the Department for Work and Pensions.