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I'm enthusiastic, meticulous and highly sought-after for my skills as copy editor, sub-editor and proofreader.
I have 30 years' experience in many subject areas, particularly the arts and humanities and including fiction as well as non-fiction.
I am happy to work either in-house or from home.
All work is undertaken in a professional manner with maximum care and a respect for deadlines.
Media
Software
Qualifications and awards
BA Music, MMus Historical Musicology
Recent training
Course: Online Content: Writing and Editing Skills (2016)
Course provider: Online Content Training
Course: Practical Mark-up of PDFs (2016)
Course provider: SfEP (now CIEP)
Experience
Freelance since 2000. Significant past experience: part-time chief sub-editor, The Strad magazine, Newsquest Specialist Media Ltd, 2005–08; full-time area editor/copy editor, The New Grove Dictionary of Music and Musicians, Macmillan, 1995–2000; freelance proofreader, Oxford Dictionary of National Biography, Oxford University Press, 2000–2003
Clients – past and present
Magazines Mark Allen Group (Gramophone), Newsquest Specialist Media Ltd (The Strad), Immediate Media Co. (Radio Times), Bauer Media (TV Choice/Total TV Guide)
Journal Royal Musical Association (currently Journal and formerly also Newsletter)
Music Edition G Henle Verlag (copy edit texts for Béla Bartók Complete Critical Edition)
Books and Theses There have been many clients over the years, including Oxford University Press, York University Press, Macmillan Publishers, Folio Society, Ashgate Publishing, Faber and Faber, Anness Publishing, QED Publishing, many private clients
Website Sinfini Music
Subjects
Arts, humanities, music (history, biography, discography, criticism, analysis etc), history, art history, biography, children's books/magazines, TV/radio listings, cookery, crafts, gardening
testimonials
Marija is an exceptionally talented editor, sub-editor and writer whose attention to detail is exemplary. She is as adept at features as she is with intensely detailed listings and is the most valued freelance sub-editor we have at Radio Times. I wish that I could book her more often – she is always my first port of call. But Radio Times remains in fierce competition for her talent. Book her if you can, although I may curse you for taking her away from us!
Jane Anderson
Radio Editor, Radio Times at Immediate Media Co
Marija’s devotion to detail – whether it be checking facts or finessing the writing – is exemplary, and driven by an evident pride in ensuring that Gramophone offers our readers content which is both as correct and as compelling as it can possibly be. All at Gramophone enjoy working with her – but most importantly so do our freelance writers, who regularly offer praise on what they clearly see as a positive and collaborative working relationship.
Martin Cullingford
Editor and Publisher, Gramophone magazine at Mark Allen Group
Marija Duric Speare has acted as copy-editor for lengthy articles that I've contributed to Gramophone magazine. I've been very impressed by her attention to detail and her ability to engage with what is being written about, from the perspectives of both the writer and the potential reader, with not a query wasted. It's also gratifying to work with someone who enjoys listening to the music that's being written about. And having had the pleasure subsequently to meet her in person, I can say that the same qualities come across in person as in correspondence. I'd happily recommend her to anyone in this capacity.
Fabrice Fitch
Senior Research Fellow, Royal Conservatoire of Scotland; writer
Marija Duric Speare is one of the few and rare sub editors in my experience who can subtly refine a writer’s work without altering the concepts and feelings that have been expressed in the text. Such a skilful and intelligent talent is invaluable and scant in supply, as it is the dual fruit of expertise and sensitivity – choice and scarce cohabiters.
Jon Tolansky
Documentary producer and writer
Marija is an essential member of our team at The Strad, currently working as a freelance sub-editor and formerly as part-time chief sub with responsibility for putting together The Strad's comprehensive house style guide. She takes a forensic approach to sub-editing and proofreading, and is our first-call sub on the magazine. She is also an absolute pleasure to work with.
Chloe Cutts
Editor, The Strad magazine at Newsquest Specialist Media Ltd
Disclaimer note
The CIEP Directory of Editorial Services should be considered a point of first contact and prospective clients must satisfy themselves that members are capable of the work on offer. The Institute cannot be held responsible for the quality of work provided by any member listed in the directory. The members themselves are responsible for the maintenance and accuracy of their entries in the Directory and the CIEP has not made any attempt to vet them. The institute cannot be held responsible for any inaccuracies in the Directory. Inclusion in the Directory as a freelance does not necessarily mean that the member is self-employed as defined by HM Revenue and Customs and the Department for Work and Pensions.